BLOODY VALENTINES: THE 48-HR buy viagra fed ex HORROR FILMMAKING CHALLENGE!
February 1, 2012 
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BLOODY VALENTINES : The 48Hr Horror Filmmaking Contest!
2nd ANNUAL EDITION
Filming: Friday, Feb 10th, 7pm – Sunday, Feb. 12th, 7pm
Screening: Tuesday, Feb 14th – 8:00pm
at Blue Sunshine – 3660 St-Laurent, 3rd Flr
www.blue-sunshine.com
LIMITED TO 10 TEAMS – RSVP to Dave Bertrand at zombimedia@gmail.com to have a spot held for you!
The Fantasia International Film Festival professional viagra pro cialis levitra trial pack is proud to offer the jury-winning film ten-tickets to the 2012 festival!
As hundreds of DV filmmakers the world over have already learned, making a short film in one weekend can be terrifying. Lack of sleep is just the beginning of your problems when you are trying to corral actors into repeating their performance levitra cialis viagra with more energy at 5 in the morning and you know you have only got another 6 hours to get a final edit of your masterpiece put together. Well, start brewing your coffee now, because Blue Sunshine brings you the inaugural Bloody Valentines : The 48-hr Horror Filmmaking Contest! Filming kicks off Friday, Feb 10 at 7pm when each team is given a package containing a horror best online generic levitra subgenre, weapon, prop and line of dialogue, and finished films must be handed in no later than 7pm on Sunday, Feb 12. All the films will be screened on Tuesday, Feb 14th at 8:00pm, with mexico pharmacy cialis jury and audience prizes for best film! It is FREE to participate, but the Monday screening is regular admission.
For more info, rules etc, see www.blue-sunshine.com
About the author:
Kier-La Janisse is a film writer and programmer, founder of Spectacular Optical Publications and The Miskatonic Institute of Horror Studies. She has been a programmer for the Alamo Drafthouse Cinema and Fantastic Fest in Austin, Texas, co-founded Montreal microcinema Blue Sunshine, founded the CineMuerte Horror Film Festival (1999-2005) in Vancouver, was the Festival Director of Monster Fest in Melbourne, Australia and was the subject of the documentary Celluloid Horror (2005). She is the author of A Violent Professional: The Films of Luciano Rossi (FAB Press, 2007) and House of Psychotic Women: An Autobiographical Topography of Female Neurosis in Horror and Exploitation Films (FAB Press, 2012) and contributed to Destroy All Movies!! The Complete Guide to Punks on Film (Fantagraphics, 2011), Recovering 1940s Horror: Traces of a Lost Decade (Lexington, 2014) The Canadian Horror Film: Terror of the Soul (University of Toronto Press, 2015) and We Are the Martians: The Legacy of Nigel Kneale (PS Press, 2017). She co-edited (with Paul Corupe) and published the anthology books KID POWER! (2014), Satanic Panic: Pop-Cultural Paranoia in the 1980s (2015), Lost Girls: The Phantasmagorical Cinema of Jean Rollin (2017) and Yuletide Terror: Christmas Horror on Film and Television (2017). She edited the book Warped & Faded: Weird Wednesday and the Birth of the American Genre Film Archive (forthcoming), and is currently co-authoring (with Amy Searles) the book ‘Unhealthy and Aberrant’: Depictions of Horror Fandom in Film and Television and co-curating (with Clint Enns) an anthology book on the films of Robert Downey, Sr., as well as writing a monograph about Monte Hellman’s Cockfighter. She was a producer on Mike Malloy’s Eurocrime: the Italian Cop and Gangster Films That Ruled the ’70s and Sean Hogan’s We Always Find Ourselves in the Sea and her first film as director/producer, Woodlands Dark and Days Bewitched: A History of Folk Horror is due out from Severin Films in 2020.
