WHO levitra 20mg side effects IS THE BLACK DAHLIA? TV Movie online
January 1, 2012 
No Comments
Elizabeth Short
January 15th marks the 65th anniversary of one of the most infamous crimes in US history, and the public’s lingering fascination with Elizabeth Short – the woman who came to be known as ‘The Black Dahlia’. When her horribly mutilated body was discovered in a vacant lot at 39th and Norton in Los Angeles on the morning of January 15th 1947, no one suspected that nearly a century later, people would still be asking the question “Who is the Black Dahlia?” A transient, wannabe actress with few (if any) concrete ties in the city, Short’s movements in the years leading up to her death – and especially in the ‘lost week’ immediately preceding the discovery of her body – have been the subject of much speculation. Ironically, this woman who couldn’t get an acting gig to save her life became the obsession of millions when her photo was plastered across every newspaper in the country, and dozens of books, movies and television specials have expounded their own theories as to who Elizabeth Short was, and who killed her, both of which are still a mystery.
Lucie Arnaz as Elizabeth Short
Of all the films made about the case, only one attempts to portray her as a real person, as opposed to a peripheral character (as in Brian DePalma’s adaptation of James Ellroy’s book of the same name, or the Robert DeNiro/Robert Duvall vehicle True Confessions), even though it is as schmaltzy as they come: the 1975 TV movie Who Is The Black Dahlia?, starring Lucie Arnaz (much to her mother Lucille Ball’s objections!). The film has been long unavailable and sought-out by collectors, but is available in full on the TVTERRORLAND Youtube channel HERE:
Also for an example of Black Dahlia Canadiana, check out Deco Dawson’s experimental short film Elizabeth Short HERE (warning: graphic imagery):
– Kier-La Janisse
About the author:
Kier-La Janisse is a film writer and programmer, cialis generic drug founder of Spectacular Optical Publications and The Miskatonic Institute of Horror Studies. She has been a programmer for the Alamo Drafthouse Cinema and Fantastic Fest in Austin, Texas, co-founded Montreal microcinema Blue Sunshine, founded the CineMuerte Horror Film Festival (1999-2005) in Vancouver, was the Festival Director of Monster Fest in Melbourne, Australia and was the subject of the documentary Celluloid Horror (2005). She is the author of A Violent Professional: The Films of Luciano Rossi (FAB Press, 2007) and House of Psychotic Women: An Autobiographical Topography of Female Neurosis in Horror and Exploitation Films (FAB Press, 2012) and contributed to Destroy All Movies!! The Complete Guide to Punks on Film (Fantagraphics, 2011), Recovering 1940s Horror: Traces of a Lost Decade (Lexington, 2014) The Canadian Horror Film: Terror of the Soul (University of Toronto Press, 2015) and We Are the Martians: The Legacy of Nigel Kneale (PS Press, 2017). She buy levitra online viagra co-edited (with Paul Corupe) and published the anthology books KID POWER! (2014), Satanic Panic: Pop-Cultural Paranoia in the 1980s (2015), Lost Girls: The Phantasmagorical Cinema of Jean Rollin (2017) and Yuletide Terror: Christmas Horror on Film and Television (2017). She edited the book Warped & Faded: Weird Wednesday and the Birth of the American Genre Film Archive (forthcoming), and is currently co-authoring (with Amy Searles) the book ‘Unhealthy and Aberrant’: Depictions of Horror Fandom in Film and Television and co-curating (with Clint Enns) an anthology book on the films of Robert Downey, Sr., as well as writing a monograph about Monte Hellman’s Cockfighter. She was a producer on Mike Malloy’s Eurocrime: the Italian Cop and Gangster Films That Ruled the ’70s and Sean Hogan’s We Always Find Ourselves in the Sea and her first film as director/producer, Woodlands Dark and Days Bewitched: A History of Folk Horror is due out from Severin Films in 2020.
