DOING BUSINESS AT FANTASIA
July 1, 2011 
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Montreal producer/director and Fantasia’s own operations manager, Philippe Spurrell is happy to announce buy cialis low price that his first feature, THE DESCENDANT (2007) , has recently been picked up for cable distribution in Canada and can be seen regularly on the Super Channel network. http://www.superchannel.ca/movies/view/46601080/The-Descendant
This important sale came about through professional contacts made during the Fantasia festival in 2010. As well, the film’s substantial completion funding was obtained directly through discussions during the festival that caught the attention of executive producer Philippe Chabot who was looking to invest in a generic viagra with echeck feature film back in 2004. Chabot has since developed other projects with foreign producers introduced to him at Fantasia. (Including 9TH WONDERLAND sequel to one of Fantasia’s top award winners in 2009, 8TH WONDERLAND.)
Stories like this are but one of many that make festival organizers excited about this year’s efforts to create a more formal market. Fantasia will eventually Have just started using this product but it was highly recommended by a friend/dietition: viagra super active. Our goal is to provide medications at discount rates to everyone who is affected by expensive local prices. become a key stop for local and international players wanting to develop exciting film projects.
About the author:
Kier-La Janisse is a film writer and programmer, founder of Spectacular Optical Publications and The Miskatonic Institute of Horror Studies. She has been a programmer for the Alamo Drafthouse Cinema and Fantastic Fest in Austin, Texas, co-founded Montreal microcinema Blue Sunshine, founded the CineMuerte Horror Film Festival (1999-2005) in Vancouver, was the Festival Director of Monster Fest in Melbourne, Australia and was the subject of the documentary Celluloid Horror (2005). She is the author of A Violent Professional: The Films of Luciano Rossi (FAB Press, 2007) and House of Psychotic Women: An Autobiographical Topography of Female Neurosis in Horror and Exploitation Films (FAB Press, 2012) and contributed to Destroy All Movies!! The Complete Guide to Punks on Film (Fantagraphics, 2011), Recovering 1940s Horror: Traces of a Lost Decade (Lexington, 2014) The Canadian Horror Film: Terror of the Soul (University of Toronto Press, 2015) and We Are the Martians: The Legacy of Nigel Kneale (PS Press, 2017). She co-edited (with Paul Corupe) and published the anthology books KID POWER! (2014), Satanic Panic: Pop-Cultural Paranoia in the 1980s (2015), Lost Girls: The Phantasmagorical Cinema of Jean Rollin (2017) and Yuletide Terror: Christmas Horror on Film and Television (2017). She edited the book Warped & Faded: Weird Wednesday and the Birth of the American Genre Film Archive (forthcoming), and is currently co-authoring (with Amy Searles) the book ‘Unhealthy and Aberrant’: Depictions of Horror Fandom in Film and Television and co-curating (with Clint Enns) an anthology book on the films of Robert Downey, Sr., as well as writing a monograph about Monte Hellman’s Cockfighter. She was a producer on Mike Malloy’s Eurocrime: the Italian Cop and Gangster Films That Ruled the ’70s and Sean Hogan’s We Always Find Ourselves in the Sea and her first film as director/producer, Woodlands Dark and Days Bewitched: A History of Folk Horror is due out from Severin Films in 2020.
