2017 BARRY CONVEX AWARD WINNER ANNOUNCED!

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We are pleased to announce that the winner of the 2017 Barry Convex is Navin Ramaswaran’s POOR AGNES.

POOR AGNES was chosen to represent the 2017 Barry Convex Award not only for its impressive direction, darkly comic storytelling and overall unified vision, but for its challenging attitude. Coming out of a country with a system where voices of subversion against, and challenges to, the mainstream status quo are few and far between — and yet more important than ever – POOR AGNES acts as a daring and powerful middle finger against establishment filmmaking.

The jury would also like to give an honourable mention to Patrick Demers’ ORIGAMI, for its deft direction, sophisticated visual aesthetic, strong performances and the successful blending of genres in a complex story told in a refreshingly unconventional manner.

Sincerely, the 2017 Barry Convex jury:

Kier-La Janisse, George Mihalka and Douglas Buck

The Barry Convex Award is an annual juried cash prize for which all Canadian features or co-productions making their Canadian premiere at the Fantasia International Film Festival are eligible. For more information on the award, see HERE >>

poor agnes

About the author:

Kier-La Janisse

Kier-La Janisse is a film writer and programmer, founder of Spectacular Optical Publications and The Miskatonic Institute of Horror Studies. She has been a programmer for the Alamo Drafthouse Cinema and Fantastic Fest in Austin, Texas, co-founded Montreal microcinema Blue Sunshine, founded the CineMuerte Horror Film Festival (1999-2005) in Vancouver, was the Festival Director of Monster Fest in Melbourne, Australia and was the subject of the documentary Celluloid Horror (2005). She is the author of A Violent Professional: The Films of Luciano Rossi (FAB Press, 2007) and House of Psychotic Women: An Autobiographical Topography of Female Neurosis in Horror and Exploitation Films (FAB Press, 2012) and contributed to Destroy All Movies!! The Complete Guide to Punks on Film (Fantagraphics, 2011), Recovering 1940s Horror: Traces of a Lost Decade (Lexington, 2014) The Canadian Horror Film: Terror of the Soul (University of Toronto Press, 2015) and We Are the Martians: The Legacy of Nigel Kneale (PS Press, 2017). She co-edited (with Paul Corupe) and published the anthology books KID POWER! (2014), Satanic Panic: Pop-Cultural Paranoia in the 1980s (2015), Lost Girls: The Phantasmagorical Cinema of Jean Rollin (2017) and Yuletide Terror: Christmas Horror on Film and Television (2017). She edited the book Warped & Faded: Weird Wednesday and the Birth of the American Genre Film Archive (forthcoming), and is currently co-authoring (with Amy Searles) the book ‘Unhealthy and Aberrant’: Depictions of Horror Fandom in Film and Television and co-curating (with Clint Enns) an anthology book on the films of Robert Downey, Sr., as well as writing a monograph about Monte Hellman’s Cockfighter. She was a producer on Mike Malloy’s Eurocrime: the Italian Cop and Gangster Films That Ruled the ’70s and Sean Hogan’s We Always Find Ourselves in the Sea and her first film as director/producer, Woodlands Dark and Days Bewitched: A History of Folk Horror is due out from Severin Films in 2020.

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