INCITE JOURNAL OF EXPERIMENTAL MEDIA: THE EXHIBITION GUIDE

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In the long-awaited, 280-page “Exhibition Guide’ issue of INCITE, I have an article on the Rise and Fall of Blue Sunshine, alongside an impressive roster of fellow contributors that reads like a who’s-who of the microcinema world.

You can order it HERE. (Update Jan 22, 2014: I have been informed that the first printing is now sold out, but that a second printing is in the works!)

Complete contents include:

Brett Kashmere and Walter Forsberg Introduction

 


Microcinemas
Steve Anker Experimental Media Centers across the USA:
A Personal History
Ed Halter Head Space: Notes on the Recent History of a Self-Sustained Exhibition Scene for American Experimental Cinema
David Sherman and Rebecca Barten Small is Beautiful
Jeanne Liotta Firefly Cinema (or Cinema for the People)
Sharon Johnson Recollections of The Standard Movie House
tENTATIVELY, a cONVENIENCE Meanderthals in Motion (Pictures)
John Porter A Brief History of The Funnel Experimental Film Theatre
Tara Merenda Nelson Saul Levine and MassArt Film Society
Alex MacKenzie Microclimate: Vancouver, 1995-2003
David Cox Building Community through Microcinema:
Other Cinema and Me
Alain LeTourneau A Brief History of 40 Frames Exhibition Series
John Porter Martin Heath’s CineCycle
Michael Johnsen and Greg Pierce
in conversation with Adam Abrams
Pittsburgh’s Orgone Cinema:
A Deadly Serious Joke
David Nelson minicine?, 1995 to…
(An explanation of the minicine? question mark)…
Bryan Konefsky Basement Films
Donna de Ville To Pop-up and Back:
A Micro-history of Aurora Picture Show
Gordon Nelson What was Jefferson Presents…?
Jesse Malmed An Anecdotal Collage History of Portland Experimental Media Culture, 1997-2012
Brian L. Frye On the Origins of the Robert Beck Memorial Cinema
Tess Takahashi Magic Lantern:
Interviews with Ben Russell and Josh Guilford
Christy LeMaster An Oral History of The NIGHTINGALE
Scott Miller Berry, Chris Kennedy
and Kate MacKay
Early Monthly Segments
Kier-La Janisse Blue Sunshine: The Life and Death of a Microcinema
Kate Ewald Do It Yourself (with Others)
Marcus Rosentrater Contraband Cinema
Melissa Ragona Union Docs: UnDoing Documentary
Spectacle The Telling of the Lore:
A First-Person History of Brooklyn’s Spectacle
Light Industry Portfolio
WEB EXCLUSIVE
Roger Beebe Afterthoughts on an Era:
Flicker Film Festival (Chapel Hill)

 


Mobile Cinemas
Bill Daniel Who is Bozo Texino, Film Touring 2005-2010
Adelheid Heftberger Soviet Agit-Trains from the Vertov Collection of the Austrian Film Museum
Alice Moscoso La Cyclo-Cinematheque: An Interview with Bill Brown and Sabine Gruffat
Audrey Young Cine Movil Mexico
Alice Moscoso Tunnel Vision: A Film Event Inside the World’s Oldest Subway Tunnel
Bill Brand Masstransiscope
Theo Michael Tales from a Balkan VJ
The Flinching Eye Collective Atemporal Radio Tour:
A Traveling Sound Performance

 


Expanded Cinemas
Bradley Eros Hystery is Made at Night: Mercurial Cinema is Written on Ether (Evidence of RBMC)
Jonathan Walley Re-creating Expanded Cinema
Elena Gorfinkel Film After Cinema: Sandra Gibson and Luis Recoder’s Light Spill and Museological Materialism
Sabrina Gschwandtner Film Quilts
Richard Kerr Motion Picture Weavings
Walter Forsberg and Clint Enns Digital Preservation
Walter Forsberg God Must Have Painted Those Pictures:
Illuminating Auroratone’s Lost History

 


Projecting
Sandra Gibson and Luis Recoder Notes on “Perfect Projection”
Caroline Martel The Film Prayer
Sarah Halpern Shoes, Cars, Filth and Film Projection:
The Language of Anxiety Dreams
40 Frames Projector Image Size Calculation
Recommended Portable 16mm Projectors
Screen Luminance Guide
Print Handling / Print Inspection Report Form
Christina Battle DIY Screening Checklist 

About the author:

Kier-La Janisse

Kier-La Janisse is a film writer and programmer, internet pharmacy propecia founder of Spectacular Optical Publications and The Miskatonic Institute of Horror Studies. She has been a programmer for the Alamo Drafthouse Cinema and Fantastic Fest in Austin, Texas, co-founded Montreal microcinema Blue Sunshine, founded the CineMuerte Horror Film Festival (1999-2005) in Vancouver, was the Festival Director of Monster Fest in Melbourne, Australia and was the subject of the documentary Celluloid buy cialis online with no prescription Horror (2005). She is the author of A Violent Professional: The Films of Luciano Rossi (FAB Press, 2007) and House of Psychotic Women: An Autobiographical Topography of Female Neurosis in Horror and Exploitation Films (FAB Press, 2012) and contributed to Destroy All Movies!! The Complete Guide to Punks on Film (Fantagraphics, 2011), Recovering 1940s Horror: Traces of a Lost Decade (Lexington, 2014) The Canadian Horror Film: Terror of the Soul (University of Toronto Press, 2015) and We Are the Martians: The Legacy of Nigel Kneale (PS Press, 2017). She secure places to buy levitra in canada visa co-edited (with Paul Corupe) and published the anthology books KID POWER! (2014), Satanic Panic: Pop-Cultural Paranoia in the 1980s (2015), Lost Girls: The Phantasmagorical Cinema of Jean Rollin (2017) and Yuletide Terror: Christmas Horror on Film and Television (2017). She edited the book Warped & Faded: Weird Wednesday and the Birth of the American Genre Film Archive (forthcoming), and is currently co-authoring (with Amy Searles) the book ‘Unhealthy and Aberrant’: Depictions of Horror Fandom in Film and Television and co-curating (with Clint Enns) an anthology book on the films of Robert Downey, Sr., as well as writing a monograph about Monte Hellman’s Cockfighter. She was a producer on Mike Malloy’s Eurocrime: the Italian Cop and Gangster Films That Ruled the ’70s and Sean Hogan’s We Always Find Ourselves in the Sea and her first film as director/producer, Woodlands Dark and Days Bewitched: A History of Folk Horror is due out from Severin Films in 2020.

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