YULETIDE TERROR Book delay updates

Spectacular Optical Update Dec 23: As mentioned in a previous update, the Yuletide Terror books were over a week late from the printer and arrived on December 13th. After spending a week packing and shipping, I’ve gotten out all the North American books (as I hoped these would at least have a chance of making it before Xmas), but the overseas books will be shipped Tuesday when mail service resumes. I will be attempting to email everyone affected by the Yuletide Terror delay directly a certificate today that you can give to anyone you intended the book as a Christmas gift for (also posted HERE so you can download), as well as a discount code that can be used toward a future order. I sincerely apologize for this delay, the books were not only a week late arriving from the printer but I also overestimated my physical ability to pack and ship this many books in a short time.Thankfully I had a couple friends put in a shift or two helping to pack (Liane Cunje and Leslie Hatton, looking at you heroes!) but it has still mostly fallen to me on my own, so I sincerely apologize by any inconvenience or stress this has caused you this holiday season. – Kier-La Janisse

Yuletide Delay certificate

About the author:

Kier-La Janisse

Kier-La Janisse is a film writer and programmer, founder of Spectacular Optical Publications and The Miskatonic Institute of Horror Studies. She has been a programmer for the Alamo Drafthouse Cinema and Fantastic Fest in Austin, Texas, co-founded Montreal microcinema Blue Sunshine, founded the CineMuerte Horror Film Festival (1999-2005) in Vancouver, was the Festival Director of Monster Fest in Melbourne, Australia and was the subject of the documentary Celluloid Horror (2005). She is the author of A Violent Professional: The Films of Luciano Rossi (FAB Press, 2007) and House of Psychotic Women: An Autobiographical Topography of Female Neurosis in Horror and Exploitation Films (FAB Press, 2012) and contributed to Destroy All Movies!! The Complete Guide to Punks on Film (Fantagraphics, 2011), Recovering 1940s Horror: Traces of a Lost Decade (Lexington, 2014) The Canadian Horror Film: Terror of the Soul (University of Toronto Press, 2015) and We Are the Martians: The Legacy of Nigel Kneale (PS Press, 2017). She co-edited (with Paul Corupe) and published the anthology books KID POWER! (2014), Satanic Panic: Pop-Cultural Paranoia in the 1980s (2015), Lost Girls: The Phantasmagorical Cinema of Jean Rollin (2017) and Yuletide Terror: Christmas Horror on Film and Television (2017). She edited the book Warped & Faded: Weird Wednesday and the Birth of the American Genre Film Archive (forthcoming), and is currently co-authoring (with Amy Searles) the book ‘Unhealthy and Aberrant’: Depictions of Horror Fandom in Film and Television and co-curating (with Clint Enns) an anthology book on the films of Robert Downey, Sr., as well as writing a monograph about Monte Hellman’s Cockfighter. She was a producer on Mike Malloy’s Eurocrime: the Italian Cop and Gangster Films That Ruled the ’70s and Sean Hogan’s We Always Find Ourselves in the Sea and her first film as director/producer, Woodlands Dark and Days Bewitched: A History of Folk Horror is due out from Severin Films in 2020.

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