Events

Exploring the Fusion: Crash Games as Art in a Contemporary Gallery

Picture this: a gallery pulsating with the energy of F777 Fighter, the cosmic allure of Space XY, and the adrenaline rush of Need for X. Can crash games be more than just pixels on a screen? Can they transcend the digital realm and materialize as captivating art installations in a contemporary gallery space? Let’s dive into the exciting realm of possibilities.

Crash games, with their dynamic visuals and interactive nature, possess the potential to become immersive art experiences. Imagine F777 Fighter translated into a kinetic sculpture, where the crashes manifest as explosive bursts of color and sound, echoing the intensity of the digital game.

Space XY, with its cosmic theme, could transform a gallery into an otherworldly environment. Picture visitors navigating through a celestial landscape, interacting with installations that mirror the unpredictability of the crash game, creating an unforgettable sensory experience.

Need for X, known for its high-speed thrills, might find its material form as a multi-dimensional installation. Visitors could step into a space where the speed and crashes are tangible, blurring the lines between virtual and physical realities.

  • Interactive Exhibits: Allow gallery-goers to engage with the crash game experience physically, triggering crashes and exploring the consequences in real-time.
  • Visual Spectacle: Harness the vivid graphics and themes of these games to create visually stunning installations that captivate and challenge perceptions.
  • Soundscapes: Consider incorporating dynamic sound elements that respond to the crashes, enhancing the immersive quality of the installations.

In the fusion of crash games and contemporary art, the possibilities are as boundless as the digital landscapes they draw inspiration from. The challenge lies in translating the essence of these games into tangible, material forms that captivate and resonate with gallery visitors. Could crash games be the next frontier in pushing the boundaries of what we perceive as art? The journey into this uncharted territory is as thrilling as the crash itself.


Event Information:

  • Sat
    17
    Dec
    2016

    The Saturday Morning All-You-Can-Eat-Cereal Cartoon Party - Christmas Edition!

    10:00 amRoyal Theatre, Toronto ON


    Christmas Cereal-2


    The Saturday Morning All-You-Can-Eat-Cereal Cartoon Party - Christmas Edition!

    Saturday, December 17th
    10AM to 1PM

    Tickets: $15 Adults / $8 Kids (Under 14) / Under 3 free!
    BUY ADVANCE TICKETS >>HERE<<

    Ho ho ho!! It’s the Christmas edition of the Saturday Morning All-You-Can-Eat Cereal Cartoon Party, curated by film programmer, writer and pop culture connoisseur Kier-La Janisse!

    Remember Saturday mornings? Kids today may not realize the significance of the Saturday morning ritual, but once upon a time, we had to wait a whole week to get our cartoon fix, and when we got it, we tended to binge. In that gleefully gluttonous spirit, curator Kier-La Janisse presents a 3-hour trip down memory lane with a tribute to the eye-popping, brain-addling Saturday morning cartoons of yore, complete with a smorgasbord of delicious sugary cereals (and yes, we have non-dairy too!)! You’ll see both faves and obscurities spanning the 40s through the 80s, all punctuated with vintage commercials and PSAs! The lineup is always a secret, but there will be monsters, sci-fi, sleuths, superheroes and all kinds of 2D silliness, so get ready for a sugar rush and an explosion of nostalgia all wrapped up in one candy-coated package.

    Curator Bio:

    Kier-La Janisse is a film writer and programmer, Editor-in-Chief of Spectacular Optical Publications, founding director of The Miskatonic Institute of Horror Studies and the Festival Director of Monster Fest in Melbourne, Australia. She has been a programmer for the Alamo Drafthouse Cinema and Fantastic Fest in Austin, Texas, co-founded Montreal microcinema Blue Sunshine, founded the CineMuerte Horror Film Festival (1999-2005) in Vancouver and was the subject of the documentaryCelluloid Horror (2005). She has contributed to Destroy All Movies!! The Complete Guide to Punks on Film (Fantagraphics, 2011), and is the author of A Violent Professional: The Films of Luciano Rossi (FAB Press, 2007) and House of Psychotic Women: An Autobiographical Topography of Female Neurosis in Horror and Exploitation Films (FAB Press, 2012). She co-edited and published the anthology books KID POWER! and Satanic Panic: Pop-Cultural Paranoia in the 1980s.

    Running Time: 3 Hours of Non-Stop Cartoons!